Philosophy of «movements» in artistic chronotope (Based on the M.M. Prishvin’s creations)

Аннотация

In the article on the example of M. M. Prishvin explains conceptually-semantic constants of motion, which is the semantic core of the motive of the path. It is the plot-forming and meaning-forming in the writer’s works, in different versions it is implemented in the complex spatial and temporal relations.