Мотив как фактор герменевтики в литературоведении

Abstract

The article deals with the hermeneutic basis of the research problems of the motive in contemporary literary criticism, asserts the idea that the sphere of the motives are on the links made internal, invisible italics, which ought to feel and recognize by the sensitive reader and critic-analyst. The author argues that the property indecomposabilityof motive as a criteri on in A.N.Veselovsky performs semantic integrity of motive. The article stresses that the most profound result of semantic theory is the idea of the aesthetic significance of the motive. This idea takes the concept of motive beyond its narrow interpretation of the subject motive and binds problems with general questions of the genesis of aesthetic principle in folklore and literature, including the same phenomenon explains the motive of stability in the narrative tradition. The author argues that consideration of model ing motive function, its creative potential in the analysis of the ideological and artistic whole – one of the priorities of modern literary criticism. The relevance of motivic analysis is also associated with the artistic experience of the novel of the XX century, the marked features of discrete nature and fragmentation of the narrative.