Some psychological aspects of musical-pedagogic process for Prima Kobyz players.

Abstract

This article defines that the masterful performance of the musician does not depend on how he pays attention to specific techniques and ways to play instruments, but also how he feels a piece of music. The level of musicianship of the performer and the listener as well as the manner in which a piece is performed affects the experience of music. Playing musical instrument involves concentrated work to develop the skills, requires commitment which all reflect to the movement of the musician.