Мотив как фактор герменевтики в литературоведении

Abstract

The article deals with the hermeneutic basis of the research problems
of the motive in contemporary literary criticism, asserts the idea that the
sphere of the motives are on the links made internal, invisible italics, which
ought to feel and recognize by the sensitive reader and critic-analyst. The
author argues that the property indecomposabilityof motive as a criteri
on in A.N.Veselovsky performs semantic integrity of motive. The article
stresses that the most profound result of semantic theory is the idea of the
aesthetic significance of the motive. This idea takes the concept of motive
beyond its narrow interpretation of the subject motive and binds problems
with general questions of the genesis of aesthetic principle in folklore and
literature, including the same phenomenon explains the motive of stability
in the narrative tradition. The author argues that consideration of model
ing motive function, its creative potential in the analysis of the ideological
and artistic whole – one of the priorities of modern literary criticism. The
relevance of motivic analysis is also associated with the artistic experience
of the novel of the XX century, the marked features of discrete nature and
fragmentation of the narrative.