Religious values in Kazakh cinema of modernity

Authors

  • А. Saкhamanov Казахская национальная академии искусств им. Т. Жургенова
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Keywords:

creativity, cultural wealth, religion, Tengri, film, cinema, the spectator

Abstract

This article is devoted to religious values (spiritual) of modern Kazakh cinema which carries new forms of the dialogue and the author in a society. As a result of the analysis the author shows that the cinema is the means for expression of cultural wealth. The deep meaning and cognition of Tengrism are presented in the Kazakh cinema of modernity.The main advantage of modern Kazakh spiritual cinema is versatility, mythological accuracy and author’s personal feelings.

References

1 Некрасова Н.А., Некрасов С.И., Садикова О.Г. Тематический философский словарь: Учебное пособие. — М.: МГУ ПС (МИИТ), 2008.
2 Кузнецов В.Д., Кузнецова И.Д., Миронов В.В., Момджян К.Х. Философия // Учебник. — М.: ИНФРА-М., 2004.
3 «Искусство кино». — № 4. — Aпрель, 2012.
4 Яцук Д.Н. Взаимосвязь духовных ценностей в культуре: Философско-антропологический и аксиологический аспекты// Диссертация. — Санкт-Петербург, 2003.

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How to Cite

Saкhamanov А. (2015). Religious values in Kazakh cinema of modernity. Eurasian Journal of Philology: Science and Education, 144(4). Retrieved from https://philart.kaznu.kz/index.php/1-FIL/article/view/424