Models of Sacred Places in Artistic Space

Abstract

The article examines the form of sacred places in artistic space and analyzes the scientific disciplines of hierotopy and hierophany, which study their historical and cultural characteristics. To reveal the concepts of hierophany and hierotopy, examples from legends and myths are provided by comparing definitions and scientific concepts of researchers. Hierophany considers all manifestations of sacred objects in the real world, whereas hierotopy studies specific images of spiritual existence in human consciousness. The mystical nature of hierophany in being and the connection of hierotopy (as a product of human intellect and skill) lead to the formation of artistic models of sacred spaces. Initially, hierotopy was an inherent element of existence and later established itself as a model of interaction with the higher world.

Sacredness is initially formed in human consciousness in a natural and unconscious manner. As the worldview regarding higher powers and existence expands, it becomes enriched with various characteristics. Any mystical object or sacred place in existence possesses unique features that define its distinctiveness. These features are referred to as "attributes." The article also examines persistent attributes associated with sacred places in humanity's consciousness. It highlights the functions of these attributes in various ancient cultures, their role in mythological narratives, legends, and traditions. It concludes that sacred content shapes artistic models through its manifestations in myths, epics, folktales, and legends, as well as their reflection in literary works.

Keywords: Artistic space, artistic model, hierotopy, hierophany, attribute.