Philosophy of «movements» in artistic chronotope (Based on the M.M. Prishvin’s creations)

Authors

  • Zh. Dzhalamova Al-Farabi Kazakh National University
  • B. Joldasbekova Al-Farabi Kazakh National University
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Keywords:

movement, chronotope (time and space), Unity, path.

Abstract

In the article on the example of M. M. Prishvin explains conceptually-semantic constants of motion, which is the semantic core of the motive of the path. It is the plot-forming and meaning-forming in the writer’s works, in different versions it is implemented in the complex spatial and temporal relations.

References

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1 Malyj ehnciklopedicheskij slovar’: v 4 t. – T. 2. – M., 1997. – S. 460.
2 Filosofskij ehnciklopedicheskij slovar’. – M., 1983. – S. 138.
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6 Lotman Yu.M. O russkoj literature. Stat’i i issledovaniya: istoriya russkoj prozy i teoriya literatury. – SPb., 1997. – S. 255.

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How to Cite

Dzhalamova, Z., & Joldasbekova, B. (2018). Philosophy of «movements» in artistic chronotope (Based on the M.M. Prishvin’s creations). Eurasian Journal of Philology: Science and Education, 162(4). Retrieved from https://philart.kaznu.kz/index.php/1-FIL/article/view/2025