The problems of dramatism in the genre of modern kazakh short stories
DOI:
https://doi.org/10.26577/EJPh.2020v179.i3.ph3Abstract
This article discusses the dramatic aspects of the modern Kazakh story genre. Based on the works of Kazakh writers who contributed to Kazakh prose during the years of independence, the aesthetic meaning and artistic activity of drama was analyzed. The authors of this article considered and analysed the objectives of the drama in the stories of kazakh writers of independence Tynymbay Nurmagambetov, Kuandyk Tumenbai, Roza Mukanova, Askar Altai, Duman Ramazan, Aigul Zhubanysh, Yerzhan Toktar. The stories of the writers vividly represent the image of society, the inner world of the characters and various contradictions. Kazakh writers often use tragedy in their works. It is expressed in conflict and clash. The authors of the article highlight the essential role of drama in revealing the attitudes of the writer. It’s concluded that through drama one can emphasize the current problems of society, the loss of human values and many other problems. In revealing the nature of drama in narrative narratives, the role of issues such as struggle, tragedy, alienation, internal monologue, and psychologism is differentiated. Dramatism clearly plays a special role in the image of society, the nature of the soul, the world of various contradictions. In addition, analyzing the nature of the struggle in the narrative, he reveals his idea and connects dramatic scenes with the views of the writer.