Expressive-verbal means of musical intoning
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Keywords:
intoning palette of the composer, image modalityAbstract
Psychological concept of the image of the world, that let develop and structure the typology of the world image of composer’s style in musical composition is very productive for our study. The image is a reflection of reality, mental representation of reality, acting as a liaison between consciousness and the external world. Being a complex intermodal association of auditory and visual, temporal and spatial representations, an image is capable of transformation. We are interested in the problem of constructing multidimensional image of the world, the image of reality in composer’s mind. In composer’s musical world image the remarks undoubtedly are representations of expressive-verbal style of music, adjustments of performance interpretation, containing essential characteristics of intonational-artistic images.References
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3 3.Prickett, C .A., & Bridges, M. S. 2000 Чувственное восприятие образа Journal of Research in Music Education, 48, 59. oi:10.2307/3345452.
4 4.Stein, D., 2005. Logics of musical composition: music analysis / D. Stein. N.Y.: Oxford University Press. – 368 p.
5 5.Levinson S. Pragmatics. - Cambridge: Cambridge University press,1983.
1 1.Leontyev А.N. Feelings and perception as the images of the objective world. – М.: Pedagogics, 1982. – P. 32-56.
2 2.Koroleva Т.М. 1997. Intonation of modality in sounding speech. – Kiev; Odessa: Higher school. –170 Р.
3 3.Prickett, C.A., & Bridges, M.S. 2000 Sensual perception of the image, Journal of Research in Music Education, 48, 59.
doi:10.2307/3345452.
4 4.Stein, D., 2005. Logics of musical composition: music analysis / D. Stein. N.Y.: Oxford University Press. – 368 p.
5 5.Levinson S. Pragmatics. - Cambridge: Cambridge University press,1983.
2 2.Koroleva Т.М.,1997. Intonation of modality in sounding speech. – Kiev; Odessa: Higher school. –170 Р.
3 3.Prickett, C .A., & Bridges, M. S. 2000 Чувственное восприятие образа Journal of Research in Music Education, 48, 59. oi:10.2307/3345452.
4 4.Stein, D., 2005. Logics of musical composition: music analysis / D. Stein. N.Y.: Oxford University Press. – 368 p.
5 5.Levinson S. Pragmatics. - Cambridge: Cambridge University press,1983.
1 1.Leontyev А.N. Feelings and perception as the images of the objective world. – М.: Pedagogics, 1982. – P. 32-56.
2 2.Koroleva Т.М. 1997. Intonation of modality in sounding speech. – Kiev; Odessa: Higher school. –170 Р.
3 3.Prickett, C.A., & Bridges, M.S. 2000 Sensual perception of the image, Journal of Research in Music Education, 48, 59.
doi:10.2307/3345452.
4 4.Stein, D., 2005. Logics of musical composition: music analysis / D. Stein. N.Y.: Oxford University Press. – 368 p.
5 5.Levinson S. Pragmatics. - Cambridge: Cambridge University press,1983.
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How to Cite
Джансеитова, С. С., & Исаева, Ж. Т. (2016). Expressive-verbal means of musical intoning. Eurasian Journal of Philology: Science and Education, 157(5). Retrieved from https://philart.kaznu.kz/index.php/1-FIL/article/view/1601
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Linguistics
