Portrait and type of artistic design.
29 20
Keywords:
portrait similarity, portrait structure, conflict, subject of the image,Abstract
The article describes the structure of the literary portrait. Structure portrait here is related to its main function - the epitome of visual impressions. The first of classifying signs of a literary portrait is basic for it discrepancy of the hero as subject of the image with its subject role. In a literary portrait we always face the created author's concept of character of the shown. The second sign of a literary portrait – is a way of creation of "a world concept". Work research always begins with text interpretation through its genre reading, through search of its interpretative model. The third important classifying sign of a literary portrait – is a feature of its narrative structure, it reflects typologically the general for all works of a memoirs and biographic genre the conflict between the point of view of the author and "others" regarding the image. One of the most important features of a narration in a literary portrait is that the inner world of the author storyteller also becomes an image subject. The structure of the description of appearance of the character in I.S. Turgenev's novel "Fathers and children" is built in such a way that it can't be isolated from the author's comment to it as they carry out the same function: to present to the reader an image of an inner world of the hero. Bazarov's portrait can be recognized "static" only because it as the center "attracts" all subsequent sketches of appearance of the character, forces the reader to see the typical in individual manifestation of character. The author constantly sends the reader to this first description of appearance of the hero, explaining all subsequent "facts" of his biography. This portrait of the character contains motivation of future relationship of heroes of the novel.References
1 Храпченко М.Б. Типологическое изучение литературы и его принципы // Проблемы типологии русского реализма. –М., 1969.
2 Одиноков В.Г. Поэтика русских писателей ХIХ века и литературный прогресс. – Новосибирск, 1987.
3 Тургенев И.С. Центральный архив. – М.,1927.
4 Тургенев И.С. Собрание сочинений: 12 т. – М., 1987.
5 Пустовойт П.Г. И.С. Тургенев-художник слова. – М., 1980.
6 Шаталов С.Е. Художественный мир И.С. Тургенева. – М., 1979.
7 Маркович В.М. Тургенев и русский роман XIX века. – Л., 1980.
8 Корман Б.О. Опыт описания литературных родов в терминах теории автора (субъектный уровень)//Проблема автора в художественной литературе. – Ижевск, 1974.
9 Бройтман С.Н. Историческая поэтика: Теория литературы: Учеб. пособие: В 2-т. / Под ред. Н.Д. Тамарченко. –Т. 2. – М., 2004.
10 Тамарченко Н.Д. Русский классический роман XIX века: Проблемы поэтики и типологии жанра. – М., 1997.
11 Лотман Ю.М. О типологическом изучении литературы // Проблемы типологии русского реализма. – М., 1969.
2 Одиноков В.Г. Поэтика русских писателей ХIХ века и литературный прогресс. – Новосибирск, 1987.
3 Тургенев И.С. Центральный архив. – М.,1927.
4 Тургенев И.С. Собрание сочинений: 12 т. – М., 1987.
5 Пустовойт П.Г. И.С. Тургенев-художник слова. – М., 1980.
6 Шаталов С.Е. Художественный мир И.С. Тургенева. – М., 1979.
7 Маркович В.М. Тургенев и русский роман XIX века. – Л., 1980.
8 Корман Б.О. Опыт описания литературных родов в терминах теории автора (субъектный уровень)//Проблема автора в художественной литературе. – Ижевск, 1974.
9 Бройтман С.Н. Историческая поэтика: Теория литературы: Учеб. пособие: В 2-т. / Под ред. Н.Д. Тамарченко. –Т. 2. – М., 2004.
10 Тамарченко Н.Д. Русский классический роман XIX века: Проблемы поэтики и типологии жанра. – М., 1997.
11 Лотман Ю.М. О типологическом изучении литературы // Проблемы типологии русского реализма. – М., 1969.
Downloads
How to Cite
Bazylova, B. K. (2015). Portrait and type of artistic design. Eurasian Journal of Philology: Science and Education, 147(1). Retrieved from https://philart.kaznu.kz/index.php/1-FIL/article/view/30
Issue
Section
Literary Critisim
